https://discord.com/invite/eTZuVZXycX https://www.facebook.com/Book.Reviews.by.Namsu https://www.instagram.com/namsu_corp https://www.pinterest.com/namsucorps https://www.reddit.com/r/Book_Reviews_by_Namsu https://alltop.com/my/Namsu https://twitter.com/NamsuCorp https://www.youtube.com/channel/UC_pSnAi4ji3dx8HWMpHmYBQ

Ghost Story Review

Peter Straub, American, Drama, Fiction, Ghost, Horror, Literary, Literature, Suspense, Thriller

Ghost Story

Published: 1979
Author: Peter Straub
Genre: American, Drama, Fiction, Ghost, Horror, Literary, Literature, Suspense, Thriller

Check the summary of this book here:


The Review

Peter Straub's Ghost Story is a horror story. Coward, McCann, and Geoghegan published it on January 1, 1979, and it was made into a horror film in 1981, minus the fifth protagonist, Lewis Benedikt. It was a turning point in Straub's career, becoming a national best-seller and solidifying his reputation.

Stephen King rates Ghost Story as one of the best horror books of the late twentieth century in his non-fiction study of the horror medium, Danse Macabre, and includes a comprehensive critique inside its "Horror Fiction" section.

In the manner of Stephen King in this book, Peter Straub has linked his works and book universe, and some of the links are as follows: Ricky Hawthorne is referenced in the author's 1983 novel Floating Dragon, where it is revealed that he is the uncle of a victim in the latter book. Milburn appears briefly in Koko, which was released in 1988.

This was a mind-boggling story, vast in scale and unsettling in execution. Peter Straub is a virtuoso at trapping the incomprehensible in the net of language and producing enchantment too high for fiction in words that are typically too thin to hold it, and this book is proof of that ability. 

In the pages of this novel, a complete little town comes to life, only to break apart at the seams one by one. Too much detail would detract from the narrative's grandeur, but this is a magnificent story that must be experienced.

If things appear to be moving slowly at first, have confidence that these flows will eventually snowball into a gigantic avalanche of horror. 

The past is necessary in order to experience the full weight of the present. Knowing the people so well is essential for feeling the full scope of their tragedy. 

A horrible narrative constructed from strands of remorse, fear, and yearning, this is a towering example of what the most creative human minds are capable of when turned on, as the title suggests, a 'Ghost Story.'

The work is hypnotic. The author has constructed a waystation deep in snow in the imaginary town of Millburn where people live their own lives, unknowing of the horrifying monsters hiding in the forest ready to strike. These evil creatures eventually come for the helpless people, and they are caught off guard.

This story of ghostly vengeance is educational in many ways because it reveals the consequences of abuse humans inflict on one another. The town itself is full of individuals surviving in varying degrees of guilt, and it is precisely these scars on their souls that brand the victims for the marauders out to feed on them.

I adore this book and wanted to share three things I learned from it.

First - If you're going to get retribution, instead of focusing on a few old townsfolk, ramp it up to eleven and destroy the entire town. 

The main villain, who goes by several aliases, all of which begin with the letters AM, intends to accomplish precisely that. 

And, like the author, she instructs her victims in the ways of the occult and why they must die. Fortunately, the monster's coup de grĂ¢ce cannot be delivered because of the bravery of Ricky Hawthorne, Peter Barnes, and Don Wanderly. Nonetheless, a commendable effort.

Second - in my opinion, stories in which the innocent are slaughtered like lambs are not entertaining. 

But if you take a community full of folks who have done everything from the heinous to the just irritating and go after them, you've got something. 

Of course, the Chowder Society members are the worst, because they killed a young lady, well, she seemed to be a young woman and buried the evidence. 

Add to that a lunatic farmer who is always suing people and seeing Martians, a drunken shell of a sheriff, and a woman who would rather have sex with almost every other man in town than stay at home. Wouldn't you say there's enough fodder for a spiteful, deadly, otherworldly being?

Third - This final point highlights Straub's genius. He might have provided a nice old-fashioned vindictive spirit like Henry James did in The Turn of the Screw

But he went one step further: he created a being—or, God help us, a race of beings—that has inhabited the globe for thousands of years and feeds not only on people's flesh but also on their fear. 

That, in my opinion, is what pushes this work over the top. You can't merely crouch inside a circle of salt while holding a crucifix. These are actual things, that may really be living among us.

Is this Straub's greatest work? That's what I knew before I read this book, and it's very evident it is throughout and after reading it. 

It has the sense of a great classic to it when you're reading it. As I previously stated, Straub's writing is excellent, from the thrilling prologue to the sinister undertone that runs throughout the novel. 

This is one of the greatest horror books I've ever read, and I definitely recommend it. Also, while Straub does a fantastic job of conveying terror without being overly gruesome or bloody, that does not imply there isn't any. This is an excellent book.


Final Thoughts

I have to say that I am disappointed that I did not find this excellent author sooner. I had no idea who Peter Straub was until I discovered the books (The Talisman and Black House) he and Stephen King co-wrote. 

And, like many other Stephen King and Peter Straub fans, I consider myself fortunate that they collaborated on the Talisman series.

There is no comparison to Stephen King, yet I had to tell myself several times while reading this novel that I was not reading his work.

If you haven't already done so, I recommend picking up a copy of Ghost Story and bracing yourself for a night of non-sleeping. While you're at it, watch the 1981 film starring Fred Astaire, Melvyn Douglas, and John Houseman, which was released in 1981.

Without a doubt, one of the most terrifying ghost stories ever told. If you didn't believe in them before, you will after reading this book. "The Shining" by Stephen King is right up there with it. 

You don't want to flip the page to see what happens next, but you have no choice. Do not, I repeat, do not begin reading this book late at night; you will most likely experience nightmares. 

It's best not to start it before heading to work or while you're at work, as it's tough to put down. 

Take a few days off, relax, put on all the lights, and read this fantastic terrifying tale of vengeance perpetrated by the most enraged ghost you'll ever meet.


Synopsis

"#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...

What was the worst thing you’ve ever done?

In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.

But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever..."


Useful Search Related Words & Keywords

Alice Krige, Burt Weissbourd, Character Development, Chowder Society, Douglas Green, Ever Read, Ever Written, Fred Astaire, Ghost Stories, Horror Novels, John Houseman, John Irvin, Melvyn Douglas, Douglas Fairbanks Jr., New York, Ralph Cohn, Salem Lot, Small Town, Thing That Ever


Rating: 80/100
Recommended: 90/100 Yes.

Buy the Kindle Version Here

Free With Free Audible Trial

Ghost Story (1981) (R)

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Any kind of support, even a simple 'like, thumbs up or a small comment' is enough and helps me grow, create and freely do more stuff and work on projects for the benefit of many.
Help me grow into a global force: https://www.patreon.com/namsu
Support with crypto coins/tokens: https://cointr.ee/namsu
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Nightmares in the Sky Review

Stephen King, Architecture, Interior Design, Non-Fiction, Reference

Nightmares in the Sky

Published: 1988
Author: Stephen King
Genre: Architecture, Interior Design, Non-Fiction, Reference 


The Review

First and foremost, this is not a Stephen King novel. While there is some content written by King, it is far from his work. The photographer, f-Stop Fitzgerald, is in charge of this. There are some genuinely stunning photographs that, at the very least, remind me that there is so much going on that I neglect or simply walk by without ever looking up. And all of these magnificent images from a country decades younger than mine - for fear of stepping into something I shouldn't have - serves as a reminder to look up and around me every day.

Nightmares in the Sky: Gargoyles and Grotesques is a coffee table book about architectural gargoyles and grotesques that was released in 1988 and was photographed by f-stop Fitzgerald with accompanying writing by Stephen King

In the September 1988 edition of Penthouse, an extract was released. Images from the book were utilized as textures in the video games Doom and Doom II.

The book is a tribute to everything commonplace and yet unnoticed. True, the book is about gargoyles and grotesques preserved in concrete above our heads, but after reading it again, I realized that it could stand for anything - anything that is there in plain sight but we choose not to see - or anything that we see every day and dismiss as normal and mundane when it is far from it.

This book, I realized, is a subtle prod to halt and look about us, to appreciate what is both beautiful and awful before it is gone, as seen by many of the photographs in this book, where acid rain and atmospheric corrosion have begun to take their toll.

This is a book that conveys a variety of messages; the question is which ones you choose to notice and appreciate.

This is a large format coffee table book with gargoyle pictures. I'm so glad this book exists because look up at all the new buildings and there isn't a single gargoyle to be found! Shame. 

I've always been a lover of gargoyles, as well as the cartoon program about them, so when I spotted this book, I had to get it for the love of the subject. Those gargoyle pictures truly woke me up!

This takes me to a few criticisms of the book that have nothing to do with the stunning photography. 

The index, in my opinion, fails. It's scant and incomplete, and the photographs should include some separate subtitles. A historical background piece regarding gargoyles would have been nice instead of, or in addition to, Stephen King's essay. 

We know they have existed for millennia, but when and where did they originally appear? I, for one, would like to find out. But none of this means that I didn't enjoy what Stephen King wrote for this novel.

And King is correct when he adds that during his second hunt for them, there appeared to be less. As I previously stated, there are no gargoyles to be found when looking up at new structures. Enjoy them and let them send shivers down your spine while they're still here.

This is a fantastic book. The photographs are basic, yet they capture the beauty and mysticism of gargoyle imagery in New York and other American cities. I must admit that I bought this book because Stephen King's name was on the cover, and also because, as I previously stated, I am a lover of gargoyle-related things, and I thought it would be a fascinating addition to my book collection. 

When I got it home and started flicking through the pages, I was attracted by the blurry, often scary photos. 

King's words give some fascinating perspectives and experiences, but the book stands on Fitzgerald's photographs alone. 

Some of the gargoyles are frightening, some are ghastly, others are lighthearted, while yet others are just hilarious. They all attest to the artists' inventiveness and imagination.

This hardback, 128-page (or so) volume would seem right at home on your coffee table because it's an odd size to attempt to fit into most ordinary bookshelves, plus it's printed for the table or a spot that isn't a bookshelf. 

King's prose takes up roughly 35 pages; the book is, as it should be, concentrated on the images. 

It's not for everyone; if you're not a fan of picture books, avoid it. However, if you want fascinating images that capture an unusual topic, and/or if you are a Stephen King fan, this is one to bring home.


Final Thoughts

This book is spooky and lovely. Stephen King's article is amusing and delightful, but it is also emotional and insightful in the end. 

I could gaze at these stunning black-and-white photographs for hours. Really highly recommended, but not for those who believe it is a novel or a story because it is not.

I bought everything Stephen King wrote, co-wrote, or promoted, as I usually do. It's hypnotic, and it's a very, really, disturbing novel. I say this with affection and without reservation: those images are alive. 

A word or two about the authors: Prior to witnessing "Nightmares in the Sky," I was unfamiliar with f-stop Fitzgerald's photography—(credited as "Photographer" on the book's cover); but a word of warning—once you see something, it's extremely difficult to un-see it; you've been warned. 

The title should be repeated: Nightmares In The Sky. Please keep that in mind if and when you pick up this fantastically terrifying book.

It offers the most stunningly terrifying photographs of Gargoyles that are now haunting ancient and fairly new buildings all across New York City, and they aren't drawings, they're photographs—the genuine, demonic stuff. 

There are photos here that will keep you awake at night. I had the uneasy sense that some of these monsters were actually mocking the viewer...with wonderful, even demonic—glee.

"Nightmares in the Sky" is pure, dark bliss for horror fans like myself. And the fact that the gargoyles are part of the architecture of a building itself heightens the spooky, the dread. This is not a coffee-table book for youngsters, nor is it for the faint of heart.

Another thing I remember from this fantastic tablet is Stephen King stating something that I'll never forget or get over. I guarantee you'll never look at a gargoyle the same way again. 

Please pardon me for not having the book in front of me, but Stephen King was discussing "They [the gargoyles] are frequently placed beyond our line of sight...so we don't see them." We don't see them, but bear in mind that they are always watching us."

Finally, I must notify the readers that this is not a story or a novel, but rather a collection of photographs, which is why I do not recommend it highly; yet, it is an excellent book for enthusiasts.


Synopsis

"This book will be a collection of fantastic and horrifying photographs of gargoyles taken by avant-garde photographer f-stop Fitzgerald (yes, that's his name and the spellings correct), with a wonderful text by none other than the master of horror, Stephen King. F-stop has captured gargoyles in all manner of poses, made all the more striking by the design by mark pollard. Through the use of gatefolds and full-bleed illustrations, these awesome creatures will seem practically to leap off the page. (4/5/88). UK YES"


Useful Search Related Words & Keywords

Book Are Great, Coffee Table, Coffee-Table Book, Gargoyles In This Book, King Fan, King Wrote, New York, Photos, Table Book


Rating: 90/100
Recommended: 70/100 Yes.

Buy the Hardback

Tales From the Darkside: The Movie (1990) (R)

1408 (2007) (R)

Stand by Me (1986) (R)

Apt Pupil (1998) (R)

The Shawshank Redemption (1994) (R)

Secret Window (1994) (PG-13)

The Langoliers (1994) (PG-13)

Under The Dome - Season 1 (2013) (13+)

Dreamcatcher (2003) (R)

Cell (2016) (R)

Bag of Bones Season 1 (2012) (13+)

Dolores Claiborne (1995) (R)

It (1990) (R)

It (2017) (R)

It Chapter Two (2019) (R)

Needful Things (1993) (R)

Desperation (2006) (16+)

Silver Bullet (1985) (R)

The Tommyknockers (1993) (M)

Christine (1983) (R)

The Dead Zone (1983) (R)

Misery (1990) (R)

Carrie (1976) (R)

Firestarter (1984) (R)

Mr. Mercedes Season 01 (2017) (TV-MA)

Thinner (1996) (R)

The Running Man (1987) (R)

The Dark Half (1993) (R)

The Green Mile (1999) (16+)

Salem’s Lot (1979) (G)

Salem’s Lot: The Miniseries (2004) (NR)

The Dark Tower 8 Book Boxed Set (Paperback)

The Dark Tower (2017) (PG-13)

Compare Kindle E-readers on one page

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Any kind of support, even a simple 'like, thumbs up or a small comment' is enough and helps me grow, create and freely do more stuff and work on projects for the benefit of many.
Help me grow into a global force: https://www.patreon.com/namsu
Support with crypto coins/tokens: https://cointr.ee/namsu
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Danse Macabre Review

Stephen King, Essays, History, Movie History, Media Tie-In, Performing Arts, Popular Culture, Social Sciences

Danse Macabre

Published: 20, April 1981
Author: Stephen King
Genre: Essays, History, Movie History, Media Tie-In, Performing Arts, Popular Culture, Social Sciences

Check the summary of this book here:
Danse Macabre Summary


The Review

Stephen King's nonfiction book, Danse Macabre, is about horror fiction in print, TV, radio, cinema, and comics, as well as the impact of modern social fears and anxieties on the genre. On February 23, 2010, it was reissued, along with a new essay titled "What's Scary." A sprint across the horror genre and a cultural snapshot that will appeal to horror lovers as well as those who want to start reading and watching but are unsure where to begin.

In 1980, Stephen King was thirty-three years old when he penned 'Danse Macabre.' At the time, he had only released five significant novels: Carrie, Salem's Lot, The Shining, The Stand, and The Dead Zone

While these were the novels that established his early reputation, many of his most well-known works would follow FirestarterCujo, The Running Man, The Gunslinger (the first book in the long-running Dark Tower series,) Christine, Pet Sematary, It, Misery, The Tommyknockers, The Dark Half, and so on into the 1990s and beyond. 

So, when King mentioned his own novels to explain themes in Danse Macabre, he could only draw on the first five. We can undoubtedly find many more—and often far better—examples from his later work. 

For example, when King discusses The Bad Place in horror literature and movies, you and I, blessed with over forty years of perspective from reading his works, could immediately think of the Native-American burial site in 'Pet Sematary' or the infernal sewer in 'It.'

Danse Macabre is a product of its period, but that doesn't mean it isn't still educational and entertaining to read. 

King's ideas about what makes horror "succeed" are still eye-opening today, and his evaluation of some of the great horror novels and stories is often spot-on, as are the personal opinions he reveals along the way, such as in Chapter 4 when he recounts his colorful down east individual of an uncle trying to hose down a new well with an apple wood bough.

Danse Macabre was composed at a period when King was still extensively into alcohol—at one point, he nonchalantly mentions downing fourteen beers in a single night, noting that he'd taken it "quite easy" that night; elsewhere, he makes repeated matter-of-fact comments to "becoming delightfully loaded..." Whether it's due to the alcohol or not, he periodically goes off on wide, meandering tangents that, although amusing, appear to veer away from points that might have been conveyed considerably more swiftly and with much better accuracy.

There are a lot of great facts and wonderful storytelling along the way, but I think some of his comments should be taken with a grain of salt, especially when it comes to "vintage" horror movies. 

For example, while 'Dementia 13' is okay for a low-budget B movie from the early 1960s, I don't think it's anywhere near as excellent as King seems to remember—perhaps it's his own young nostalgia at work? 

He complains at length about the production values in the original 1942 version of Val Lewton's 'Cat People,' not to be confused with the forgettable, exploitative re-make from 1982, but most people watching this classic B movie for the first time are unlikely to notice the things that King finds so irritating. 

The original 'Cat People' was created during WWII, and shooting a night sequence on location in a blacked-out New York City would have been unfeasible. 

Also, in 1980, King had a low opinion of Wes Craven's films, which included Last House on the Left, The Hills Have Eyes, and The People Under the Stairs

However, in his forewords to later editions of Danse Macabre, King, while still mostly dismissive of Nightmare on Elm Street and, especially, the rather dull series it became, does offer some grudging admiration for Craven's 'Scream' movies, and he basically shouts about Dennis Illiadis' 2009 re-make of Last House on the Left.

Danse Macabre investigates the different influences on King's own work as well as key genre writings from the nineteenth and twentieth centuries. 

Danse Macabre delves into the genre's history as far back as the Victorian era, although it predominantly concentrates on the 1950s through the 1970s, which approximately corresponds to King's own life at the time of publishing. 

King sprinkles his work with casual academic acumen, exploring archetypes, major authors, common storytelling methods, the psychology of dread, and his central notion of Dionysian horror.

"Horror Fiction in Cinema, TV, and Books: 1950 - 1979" should have been the subtitle so that Stephen King's fiction readers wouldn't pick it up and start reading it. They can be quite dissatisfied.

Given his literary output, it's possible that the author has a few red-eyed and capering buddies and readers. As he describes his own horror fiction: "I consider dread to be the most powerful feeling, thus I will attempt to scare the reader. But if I can't frighten, I'll try to horrify, and if that fails, I'll go for the gross-out."

While reading "Danse Macabre," I felt compelled to sever a few capers. King was able to get me into sometimes heated debates about his theory and choices for great terror. 

It was like sitting at a bar, sipping beer and debating with a sometimes obnoxious buddy. Unfortunately, like that slightly inebriated friend, this author tends to ramble tediously off-topic: the Vietnam War, Patty Hearst, the fate of MGM, many not-so-hilarious anecdotes about Harlan Ellison and, no, Mr. King, you haven't written the longest footnote in history—see Hans Zinsser's "Rats, Lice, and History"; dismissive critiques of certain pulp authors. 

Well, I guess that's what I'm doing now, but who's going to read this?; a tirade about grammar; and an entire chapter labeled "An Annoying Autobiographical Pause."

Actually, some of the side writings are small treasures if you're in the mood for them, but they do help to round out King's discussion on terror.


Final Thoughts

Danse Macabre is both purposely and unwittingly hilarious (see the movie review of "Robot Monster".) 

If you're someone who's watched at least some of the 'B' movies and TV series Stephen King has seen or has read a few of the horror books he assesses, this is a funny, thought-provoking book—a 421 page inside joke.

If you're not the correct age, Danse Macabre will undoubtedly bore you with its rants about defunct TV series, deteriorating celluloid films, and out-of-print horror stories. 

In his two forewords, King cautions us that he will be focusing on horror films made between the late 1950s and the early 1980s. 

If you couldn't read, watch TV, or go to the movies when you were younger, this book might not be for you.

All of this is to suggest that if you can stick with it; Danse Macabre is a worthwhile book, educational and frequently humorous. 

And it was definitely worth the effort. In the rear, Stephen King adds two appendices that list 100 horror novels as well as all of the movies mentioned in the book. 

Enough to keep any healthily interested fan occupied for quite some time. I recommend it to true fans because, as already said, It is not for everyone, and if you want to read it, don't think of it as a story.


Synopsis

“From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On WritingStephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.

With the insight and good humor his fans appreciated in on his writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.”


Useful Search Related Words & Keywords

Books And Movies, Harlan Ellison, Highly Recommended, Horror Genre, Jekyll And Hyde, Movies And Books, Night Shift, Peter Straub, Richard Matheson


Rating: 90/100
Recommended: 90/100 Yes.

Buy the Kindle Version Here

Free With Free Audible Trial

Tales From the Darkside: The Movie (1990) (R)

1408 (2007) (R)

Stand by Me (1986) (R)

Apt Pupil (1998) (R)

The Shawshank Redemption (1994) (R)

Secret Window (1994) (PG-13)

The Langoliers (1994) (PG-13)

Under The Dome - Season 1 (2013) (13+)

Dreamcatcher (2003) (R)

Cell (2016) (R)

Bag of Bones Season 1 (2012) (13+)

Dolores Claiborne (1995) (R)

It (1990) (R)

It (2017) (R)

It Chapter Two (2019) (R)

Needful Things (1993) (R)

Desperation (2006) (16+)

Silver Bullet (1985) (R)

The Tommyknockers (1993) (M)

Christine (1983) (R)

The Dead Zone (1983) (R)

Misery (1990) (R)

Carrie (1976) (R)

Firestarter (1984) (R)

Mr. Mercedes Season 01 (2017) (TV-MA)

Thinner (1996) (R)

The Running Man (1987) (R)

The Dark Half (1993) (R)

The Green Mile (1999) (16+)

Salem’s Lot (1979) (G)

Salem’s Lot: The Miniseries (2004) (NR)

The Dark Tower 8 Book Boxed Set (Paperback)

The Dark Tower (2017) (PG-13)

Compare Kindle E-readers on one page

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Any kind of support, even a simple 'like, thumbs up or a small comment' is enough and helps me grow, create and freely do more stuff and work on projects for the benefit of many.
Help me grow into a global force: https://www.patreon.com/namsu
Support with crypto coins/tokens: https://cointr.ee/namsu
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Follow This Blog